




20th Century Boys (20世紀少年, Nijusseiki Shōnen) is based on a science fiction mystery manga created by Naoki Urasawa who draws allusions mostly from rock and roll with its title taken off T. Rex's famous song. In the hands of director, Yukihiko Tsutsumi, the trilogy of "20th Century Boys" live-action films is told in four different time arcs from The '60s and '70s, late '90s, year 2014 to 3FE aka the Third Year of the Friend Era. It is set to be one of the biggest undertakings ever in the Japanese movie industry with not only a huge budget of 6 billion yen featuring a mammoth cast of 300 people including A-listers like Karasawa Toshiaki and Tokiwa Takako. The last chapter of the story is to be serialized under the name 21st Century Boys.
The beginning of the series takes place during the late 1990s, where Kenji Endo is a convenience store owner, making ends meet while taking care of his niece, Kanna who was left in his care by his older sister, Kiriko. He also has to take care of his old mother, who constantly nags him of what he had done to their family liquor store. Without any knowledge of the dark conspiracy that surrounds him until he learns at a class reunion that Donkey, an old friend of his had recently committed suicide. Hence, he begins a whirlwind adventure to figure out Donkey's sudden death, when he learns of a large cult organization under a mysterious man only known as "Friend" who seeks to destroy the world on New Year's Eve of 2000. Realizing that this madman is drawing his plan from a story he and his old friends came up, he decides to round them all up in a bid to jolt his memory. Kenji realizes that his only hope is to find the "Book of Prophecy", where he wrote scenarios in which he and his friends would save the day. Nine heroes were mentioned at the last paragraph but only 7 answered the call, who are the other 2? One would be Kanna and the final person might play a huge role in the final outcome.
Missing the opening scene is not always a good start to a foreign film but I managed to do just that while sitting down and getting comfy, my first scene was that of a Mexican family gathering round for a hearty family dinner feast and exchanging banter when the head of the family, Ramon, suddenly chokes on his food. A child prays silently to God to save Ramon whilst Elena, Gustavo and other family members rushes to perform the Heimlich Manoeuvre which rescues him.
The act of choking, ironically during a family feast, ingeniously sets up the stage for the main message: the act and rejection of consumption.
The child who was earlier seen praying is introduced as Matilde (Jimena Ayala) who graduated from being a religious child into a fervently religious adult with a doctor’s degree. Upon completion of her studies and blinded by her faith, she becomes a nun. On hearing that her aunt is gravely ill, she takes upon herself to suffer by consuming vinegar straight from the bottle and a copious amount of salt with her daily intake of food, in hope of God’s mercy. When her aunt does miraculously recover, Matilde sees it as a reaffirmed testament of the strength of her faith and the raw presence of God. In turn, her religious faith rapidly consumes her escalating into an overzealous participation of a life-threatening fast, in which her faith and repentance will call upon God to cease the rain that is causing the deadly floods in Mexico.
Next, we have Linda (Elisa Vicedo), a pre-pubescent who is pressurized into losing her baby fat by her stylish and alarmingly thin mother, Elena (Elena de Haro). Elena’s rejection of excess food consumption is juxtaposed by her daughter’s need to consume, resulting in the latter being forced to see a nutritionist and later, an expensive diet clinic. As the movie progresses, we gradually realize that Elena’s strict, and unreasonable behaviour towards Linda’s eating habits is not driven by parental concern, but is a manifestation of her own eating disorder. Whilst Elena consumes herself with unrealistic ideals about weight, her marriage with Gustavo (Marco Treviño) crumbles. Finding no pleasure in having sex with his skeletal wife, he finds himself caught up in a fiery, sexually charged relationship with a voluptuous student in which his suppressed sexual and eating appetite reaches an absolute gratifying level of consumption.
As his first foray into indie film, director and co-scriptwriter Simón Bross creates a watchable and interesting movie on how food can be perceive and connected by our three main story. Clever camera angles that goes from scene to scene, coupled with single wide-angle shots from afar downplays the depth of the messages he tries to bring across. It does feels like watching three stand-alone short stories with minimal overlapping between the main characters. Given the impressive amount of material Bross has to cover in 104 minutes, the movie does feel slightly detached and unpolished for the sake of achieving the movie’s theme. The sounds of water and rain does comes across as another link to the characters from Matilde's desire to stop the flood, Elena's quench for weight-loss through obsessive workouts, Linda's fear of not losing weight to Gustavo's dilemma in finding out the source to the leak in the drainage pipes at the university. There is a nice touch of irony when Elena, Gustavo and Linda were brushing their teeth as a metaphor to hide their sins with reference to contact in food. You have to watch the movie to know what I mean.
Faith in God has totally consumed Matilde into obsessing with her fast, in the belief that it will move God to save his lost sheep. The other two stories, in focusing on the very flawed nature of humans, relates smoother with viewers on how in the search for perfection, humans overlook others, even loved ones and at times, their intentions produce an undesirable counter-effect. The director's vision to create depressing and hopeless atmosphere is without a doubt, spectacularly captured using lingering shots caught in dark, sedated colours, the sparsely placed, repetitive and monotonous background music, the lack of dialogue to the constant presence of pounding rain, a mood of the movie relentlessly reminded throughout.
The end of the movie also left us with some food for thought - Linda and Gustavo's guilt over the apparent death of Elena as well as Matilde's undressing of her nun's head gear and beads when it started to rain again, signalling her loss in faith and awakening to reality while watching over her sister's grave.
Movie Rating: Four out of Five.
Tom Bailey is wealthy, inventor of the “coffee collar”, the man among his guy friends and a swinging bachelor with handsome good looks. He has no problems meeting women and sleeping with a different lady every week, governed by a set of rules which dictates he cannot sleep with the same woman on consecutive weeknights. He met his best friend Hannah (Michelle Monaghan) through a case of mistaken identity while jumping into her bed instead of his intended love tryst. When Hannah goes to Scotland on a business trip for six weeks, Tom realizes he feels empty without her and decides to tell Hannah his feelings and ask her to be with him when she returns.
But events turn against him when Colin McMurray, a Duke and rich Scotsman sweeps Hannah off her feet and asks for her hand in marriage. His worst fear unfolds in front of him, Tom must now witness her unquestioned happiness up close and personal because she's chosen him to be her ‘Maid Of Honor’ and he agrees so he can try to win Hannah back and stop the wedding. Throughout the movie he made feeble attempts such as ruining her bridal shower playing bag pipes and serving pig lungs (Haggis) saying she should get used to it because of their popularity in Scotland. He also has to deal with others less tolerable such as Hannah's cousin Melissa who wanted to be her maid of honor since childhood and had her heart broken by Tom, like many other girls.
The bridesmaids and the bride went on a Scottish tradition called “Selling of Kisses” for change in a local pub and there, our love birds shared a deep, passionate kiss of epic proportion. It set off questions of their friendship and could there be love brewing all this while. Tom leaves the castle when he feels it was a lost cause to win Hannah back. But he was reminded, just in time by a border collie to rush off in the direction of the church. In the end Hannah realizes that Tom is the man of her dreams and leaves Colin at the altar in order to get married to Tom.
Somehow, this movie might be interpreted as the male version of “My Best Friend’s Wedding” but with a reunited ending to set things right. I loved the charming interaction of Tom and Hannah especially when they were at his Father’s wedding and enjoying a day in town, queuing for cake. The movie is thoroughly enjoying without being overbearing. Ratings are 3 out of 5.
The Bucket List brings together two actors (Nicholson and Freeman) who had made countless number of movies, living legends of their time, on the big screens for the first time. Directed by Rob Reiner, the story follows two terminally ill men embarking on a final road trip with a list of things to do before they die. They gamely shaved their heads for the movie.
Blue-collar mechanic Carter Chambers (Morgan Freeman) and billionaire hospital magnate Edward Cole (Jack Nicholson) meet for the first time in the hospital room. They become reluctant friends at first as they undergo respective chemo treatments for cancer. Carter is a gifted amateur historian, answers questions on ‘Jeopardy’ with absolute ease and family man who had dreams of becoming a history professor. A dilemma in his youth, simply put "broke, black, and with a baby on the way" did not pave the way for his ambitions and he stuck to his job at McCreath body shop ever since. Cole, on the other hand, is a corporate tycoon cum eccentric loner, who enjoys nothing more than tormenting his personal servant, Matthew whom he calls Thomas (Sean Hayes).
When both are diagnosed with terminal cancer, Carter begins scribbling a "bucket list," or things to do before "he kicks the bucket." After hearing he has less than a year to live, Carter wads it up and tosses it on the floor. Cole finds it and pushes Carter over the edge by suggesting things like seeing the world, sky diving, "fun things" with an unlimited budget as he is very wealthy. Despite the protests of his wife, Virginia (Beverly Todd), Carter eagerly agrees to it. The pair then set off in an around-the-world vacation, embarking on race car driving, sky diving, climbing the Giza Pyramids and going on lion safari in Africa. Along the way they discuss faith and family, we learnt that Carter has long been feeling less in love with his wife and Cole is deeply hurt by his estrangement with his only daughter, who disowned him after he "took care" of her abusive husband.
The Bucket List
1. Witness something truly majestic
2. Help a complete stranger for a common good
3. Laugh till I cry
4. Drive a Shelby mustang
5. Kiss the most beautiful girl in the world
6. Get a tattoo
7. Skydiving
8. See the pyramids
9. Get back in touch with (daughter)
Cole sneakily hires a prostitute for Carter, who has never had sex with another woman than his wife but when Carter realizes it, declines. He finds that the love he had for his wife is still strong and asked to return home. In gratitude for helping him, he tries to reunite Cole with his daughter but Cole angrily storms off. Carter blissfully returns home as a new man to his wife, children, and grandchildren. However, the family reunion was short-lived as Carter suffered a relapse and is rushed back to the hospital. The cancer has spread to his brain and he needs surgery. Cole visits him there and they share an important moment together where Carter reveals the origin of Kopi Luwak. They share a good laugh and Carter crosses off "laugh till I cry" and insists Cole finish the list without him. Carter dies on the operating table. When Cole delivers a eulogy at his funeral (I cried), he finally found the strength to face his daughter. Much to his surprise and joy, she not only accepts him back into her life but she also introduces him to the grand-daughter he never knew he had and he crosses "kiss the most beautiful girl in the world" off the list.Cole goes on to live till a ripe old age of 81 years old. When he finally passes away, he has his ashes placed inside a Chock Full o' Nuts coffee can, alongside Carter, on the top of Mount Everest which Carter mentions that Cole would have liked, as it was against the law. When Matthew completes this, he crosses off the last item on the Bucket List (witness something truly majestic) and places the list with them, closed the small black box and reburies it in the snow.
The story is moving and opens you into the inner-most thoughts of the terminally ill. Watching these two great actors deliver their lines at the highest level of their craft is nothing short amazing, leaving me breathless and in awe. Ratings in this case is useless, just go watch it and really feel it!
Tim Burton is the perfect director to put his 'dark' spin onto a film adaptation of Stephen Sondheim and Hugh Wheeler's musical of the same name. His 2007 vision of the black comedy, part horror/ musical film stars the usual suspects of Johnny Depp as the demon barber and Helena Bonham Carter (wife of Burton) who was pregnant at time of filming as Mrs. Lovett with a strong cast made up of notable Englishmen. As a musical, the tunes here aren't as melodic as films like 'The Sound of Music' or 'The Phantom of the Opera' but but it still gets the message across, somehow. Singing may not seem natural when it comes to murder most fowl but there are scenes where singing can be somewhat irritating and repetitive. Having said that, Helena's singing syncopation of "Worst Pies in London" while making pies was a treat to watch and listen. All the actors featured can hold a tune quite well and did an incredible job, especially Depp. The film won awards for Best Motion Picture (Comedy or Musical) and Best Actor (Comedy or Musical) at the 65th Golden Globe Awards as well as nominations for Best Actor, Best Art Direction and Best Costume Design at the 80th Academy Awards.
The story tells of Benjamin Barker (Johnny Depp), a barber who is falsely accused and sentenced to a life of hard labor in Australia by the lustful Judge Turpin (Alan Rickman), who has his lecherous eyes on his beautiful wife, Lucy (Laura Michelle Kelly). Not knowing what happened to his family, Barker returns 15 years later under the alias of Sweeney Todd, set about to find the truth and seek revenge on Turpin. After bidding farewell to his sailor friend, Anthony (Jamie Campbell Bower) Todd returns to his old flat above his former landlady, Mrs Lovett's pie shop on Fleet Street where he learnt the dreaded outcome after his arrest. Turpin had forced himself on his wife and that she poisoned herself to death out of humiliation. The Judge also took captive of Barker's daughter Johanna as his ward, caged like a bird in his manor. The news devasted Todd and he vows revenge on Judge Turpin but not before singing "My Friends" to the razor knives/ blades hidden by Mrs Lovett.
Anthony wanders the streets of London in search of Hyde park when he stumbles upon the now-teenage Johanna and instantly falls for her. His attraction provokes a jealous Turpin to squash any thoughts of romance by instructing his henchman, Beadle Bamford (Timothy Spall) to hand Anthony a good beating. Over at the Street Market, an eager Todd challenges Italian master street barber Adolfo Pirelli (Sasha Baron Cohen of 'Borat' fame) to a speed shaving contest where he trounces his rival easily. Todd then uses the opportunity to invite Bamford to his shop for a complimentary shave and spread the word of his skills to his master. When Pirelli shows up at Todd's shop to reveal his true identity as Barker's former young Irish apprentice and blackmails Todd to half his earnings, an enraged Todd swiftly murders him to ensure the secret remains silent. When Mrs. Lovett learnt about it, she made a pact with Todd to grind up Pirelli's body into meat for her pies. Todd agrees, and then installs machinery in his barbers' chair to dump the bodies of his victims through a trap door to Lovett's basement bakehouse and thus, began his downward spiral of innocent killings. Bussiness flourished and more bodies are needed to fuel the appetites of unsuspecting customers.
Fearing he might lose Johanna, Judge Turpin expresses his desire to marry her but is spurned by the young ward. Bamford encourages Turpin to visit Todd for a shave to enhance his appearance. When Todd is about to kill Turpin and exact his revenge, Anthony bursts into Todd's shop and accidentaly blurted out Johanna's plans to flee with him. An enraged Turpin hides Johanna in an insane asylum until she agrees to marry him. More killings went on before Anthony returns to reveal that he has found Johanna, Todd immediately instructs Anthony to disguise himself as a wigmaker's apprentice and free Johanna out of the asylum. He then writes a letter to Turpin informing him of Anthony's plans to free Johanna so as to lure the evil Judge and sends Toby to deliver it. When Toby returns, he voices his mistrust of Todd to Mrs. Lovett and recognized the money pouch of his old Italian tough-master in her possession. Mrs. Lovett, knowing the game is up, cuddles Toby and lures him into the bakehouse and locking him inside. As Lovett warns Todd of Toby's suspicions, they are surprised by the visit of Beadle Bamford to investigate "strange smells" coming from the bakehouse. While Todd lures Bamford into his barber shop, Toby finds a human toe in one of the pies. He then discovers stacks of human corpses and flees into the sewers avoiding Todd and Mrs. Lovett.
Meanwhile, Anthony and Johanna return to Todd's barber shop, where he tells her to wait for him. Disguised in men's clothing, Johanna quickly scrambles into the chest in the corner of the room as the beggar woman enters, looking for Beadle Bamford. Soon after, Todd returns to the shop and is surprised by the beggar woman, who appears to recognize Todd. Hearing Turpin is about to enter, Sweeney in a state of panic, slits the beggar woman's throat and drops her body down the chute. Turpin enters the room seconds later and accepts Todd's offer of a shave. Looming with his sharp razor over Turpin, Todd reveals his true identity and stabs him before slitting his throat. Todd then discovers Johanna hiding in the trunk and not recognising her, prepares to kill her but was interrupted by Mrs. Lovett's screams. He races to the bakehouse to find Judge Turpin still alive but he soon dies. As Mrs. Lovett opens the oven door to dispose of Turpin, the light from the burning coals shone on the face of the beggar woman. Todd moves closer and recognizes her as his wife, Lucy who was made to believe was 'dead'. Mrs Lovett reveals that Lucy survived her suicide attempt but the poison drove her mad. She tries to persuade Todd that she lied because of her love for him. Todd calms her down and bizarrely, begins to dance with her, saying that he loves her too and that "Life is for the Alive". Suddenly, he thrusts her through the open oven door and watches her burn to death. Todd then returns to Lucy and holds her dead body. Toby emerges from the sewer, picks up Todd's discarded razor and slits Todd's throat in a final act of vengeance.
The movie has it engaging moments as it builds up for the finale and adds a twist at the end but the throat-slashings with blood spurting and some cases, flowing out severed necks may not be everyone's cup of tea. You will either love or hate it, thankfully its more love than hate for me. Three razors out of Five.
I must get this off my chest - Ratatouille is the best CGI animation movie involving a rodent. No disrespect to “An American Tail” and “Stuart Little” but I was charmed by Remy, the little chef. The setting is Paris, France where miles of sewer tunnels ran underneath a cosmopolitan city, a city of great culinary history and fine gourmet restaurants. However, the underground sewers gave birth to a huge rat population and this is where we have a rat that harbors a dream of becoming a Chef one day. Academy Award winning director Brad Bird [who brought you “The Incredibles”] of Pixar animation studios takes us on a culinary journey through the eyes and ears of a rat who finds his way into the famous Chef Auguste Gusteau’s French restaurant led by the ghost of the late chef when Remy got separated from the colony while on the run. I loved the scenes where we see Remy’s point-of-view manoeuvring through the maze of pipes, cracks and sewers. The great chef was famous for his motto of “Anyone can cook” but little does he knows a RAT would become a master chef.
The opening was great, I was drawn immediately to Remy (voiced by Patton Oswalt), a suburban rat who enjoys gourmet food. His sense of taste are refined and impeccable, a connoisseur of food and its ingredients that made it so appealing. A nose for freshness resulted in a refusal to eat garbage but eventually, forced by his father to use Remy's gift as a "poison detector". A hidden desire to become a chef like his hero, Gusteau comes in the form of Linguini (Lou Romano), a newly hired garbage boy cum kitchen cleaner at a Gusteau’s Paris restaurant. He forms an unusual partnership with the Remy, working together in funny circumstances, hiding under Linguini's chef's hat. Soon, Remy started to create dishes of culinary delight by manipulating Linguini, like pulling strings on a puppet. His culinary adventure is lived through Linguini and as word of mouth spreads, Gusteau's Restaurant is the talk of Paris again. Skinner, the Head Chef is jealous of Linguini’s newfound fame tried his best to discredit him but was ousted from the restaurant when the truth surfaced, Linguini is Gusteau’s son. Linguini not only gets ownership of the restaurant and in the process, wins the heart of the only female chef Colette (Janeane Garofalo). Skinner vows revenge and rats to the health department on the rodent infestation at Gusteau’s.
The real test comes when France’s most feared food critic Anton Ego (Peter O'Toole) decided to revisit Gusteau's having earlier given the restaurant a death sentence [review] that caused the death of a broken hearted Chef. When Linguini comes clean on the secret of his success and reveal the origins of his remarkable talent, the entire kitchen and waiting staff walked out on him. Faced with a disaster, Remy took over the reins of the kitchen with the help of his rat colony and dished out his version of the Ratatouille [vegetable stew] to the absolute surprise and utter delight of Ego. The scenes in the kitchen were extensively researched by the team of animators who spend time at “The French Laundry” [The French-based Michelin Guide bestowed “Three Stars” to The French Laundry] helmed by famous Executive Chef, Thomas Keller who served as a consultant for the movie. Everything you see in the movie mimics a professional kitchen/ restaurant setup, down to the recipes, ingredients and terms used are real, to its very last detail. The animators got all the cutting, chopping, knife work, ingredient preparation, cooking sequence, various cooking stations and kitchen equipments as close to reality as possible, making the action in "Ratatouille" truly exceptional.
There are times that even I, forgot that Remy is a rat! The seemingly conflict is between rats and humans, but in fact, members of each species get to learn a little about the other, in terms of racism and tolerance. To quote from Anton Ego: "Not everyone can be a great artist, but a great artist can come from anywhere." "Ratatouille" is very entertaining from start to finish and heart-warming in the closing moments, suitable for both the young and the old. A totally delightful meal, five out of five!
Extra: The various titles used in a professional kitchen of a French restaurant.
Executive Chef - In charge of everything related to the kitchen, including menu creation, staff management and business aspects. While the position requires extensive cooking experience and often involves actively cooking, it is not necessarily very hands-on. They can also be referred to as the "chef" or even "head chef".
Chef de Cuisine - This is a synonym for the title executive chef. This is the traditional French phrase where the title chef comes from and is more common in European or American kitchens with a classical French brigade system. In some establishments this title is used to designate a chef who is the head chef at one location of an operation that has multiple locations where the corporate chef has the title executive chef.
Sous Chef - The direct assistant of the executive chef and is second in command. He or she may be responsible for scheduling, filling in for the executive chef when he is off-duty. He or she also will fill in or assist the chef de partie (or line cooks) when needed. Smaller operations may not have a sous chef, while larger operations may have multiple.
Expediter or Announcer (Aboyeur) - The expediter takes the orders from the dining room and relays them to the stations in the kitchen. This person also often puts the finishing touches on the dish before it goes to the dining room. In some operations this task may be done by either the executive chef or the sous chef.
Chef de Partie - A chef de partie, also known as a "station chef" or "line cook", is in charge of a particular area of production. In large kitchens, each station chef might have several cooks and/or assistants. In most kitchens however, the station chef is the only worker in that department. Line cooks are often divided into a hierarchy of their own, starting with "First Cook", then "Second Cook", and so on as needed.
Station Chef titles which are part of the brigade system includes -
1. Sauté Chef (Saucier) - Responsible for all sautéed items and their sauce. This is usually the highest position of all the stations.
2. Fish Chef (Poissonier) - Prepares fish dishes and often does all fish butchering as well as appropriate sauce. This station may be combined with the saucier position.
3. Roast Chef (Rotisseur) - Prepares roasted and braised meats and their appropriate sauce.
4. Grill Chef (Grillardin) - Prepares all grilled foods, this position may be combined with the rotisseur.
5. Fry Chef (Friturier) - Prepares all fried items, position may be combined with the rotisseur position.
6. Vegetable Chef (Entremetier) - Prepares hot appetizers and often prepares the soups, vegetables, pastas and starches. In a full brigade system a potager would prepare soups and a legumier would prepare vegetables.
7. Roundsman (Tournant) - Also referred to as a swing cook, fills in as needed on station in kitchen.
8. Cold-Foods Chef (Garde Manger) - May also be referred to as the pantry chef, they are responsible for preparing cold foods, including salads, cold appetizers, pâtés and other charcuterie items.
9. Butcher (Boucher) - Butchers meats, poultry and sometimes fish. May also be responsible for breading meats and fish.
10. Pastry Chef (Pâtissier) - Prepare baked goods, pastries and desserts. The pastry chef often supervises a separate team in their own kitchen or separate shop in larger operations. Some kitchens may have an executive pastry chef.
[Source of Extra: Wikipedia.org]